René Grayre
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Miss Saigon

10/21/2017

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Great technical sound design, Bombastic, Flat score & lyrics, Overrated, Banal

  

See it if
 
You've never seen it; a bombastic melodrama with unmemorable songs save two, but veteran understudy Billy Bustamante is worth catching. You


Don't see it if
 You disliked the similar Phantom & Le Miz big anthem-like musicals; this show means well politically but falls short musically & lyrically.


Also
 
In better hands, say Kander & Ebb's perhaps, Miss Saigon might have had the edge & bite—as well as the musicality & muscle—that the material aspires to but never achieves. 

It’s not for want of material: the Viet Nam war & the doomed American presence there, the plight of war brides & the interracial children left behind, the rough PSTD re-entry of vets stateside, the vision & face of the US from abroad, etc.—all this should make a fresh and relevant Madam Butterfly update. 

God knows it tries, as does the game, all-in cast dutifully doing their jobs, but it’s pretty uphill with a score remarkably bereft of memorable tunes with its Hallmark card lyrics. The end result is highly programmatic if professional, & so audiences respond right on cue to surface emotions, sets and orchestral swells.

The high point—besides Billy Bustamante’s terrific, over-the-top, on point Engineer at the performance caught—was the sound design which amazingly balanced orchestra & voices—impressive and unusual clarity where every lyric could be heard without sounding over amplified or loud. 


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